This morning I found myself sitting in my favorite neighborhood spot, Akat Cafe Kalli, where the politics are as palpable and potent as the coffee. I sat here, eating my breakfast sandwich, drinking my café de olla, reading my book , nodding my head along to the music, which I was growing increasingly aware of and was increasingly digging, but also increasingly scared to trust it. As I listened to the explicitly political lyrics on police violence, racism, sexism and homophobia that seemed to speak directly to me as a queer, leftist, womanish person of color, my suspicion grew that I might feel significantly less in tune with other, yet unnamed politics of the artists whose album was playing. The feeling increased as the words, now in Spanish as well as English, continued to resonate as much as the music to which they were set.
On May 28 I started a conversation on Twitter with THEESatisfaction, musicians of whom I've been a fan for a bit, about their upcoming performance at the Allied Media Conference, which I've been deeply involved in since I first attended in 2011.
Transmisogyny--transphobia directed specifically and often exclusively at trans women--has felt continually rampant in many of my communities for an entire decade now.
I frequently witness transphobia against trans women expressed by people who do not similarly target trans men, thus rendering this particular expression of transphobia sexist in a somewhat traditional sense.